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Film Review: “Cropsey”

Cropsey Poster

Cropsey isn’t a great documentary, but it is a really good one. As a work, it exists somewhere in the continuum between a cable news “true crime” special and a self conscious film school project. 

The title refers to a variation of the familiar “homicidal maniac” urban legends specific to Staten Island. Like all legends, there are as many versions as there are storytellers, but the common thread is that “Cropsey” waits in the woods for unwary children and teenagers.

The film explores the parallels between the story and the case of Andre Rand, whom the media dubbed a “real life Cropsey” after he was accused and convicted of the kidnapping and murder of a young girl named Jennifer. Rand had worked as an orderly at a disgraced mental facility, Willowbrook Mental Institution, and continued to live on the grounds after the facility closed. The girl’s remains were found near one of her campsites.

Through the film, we meet various players in the story: police detectives, witnesses, family members of the victims (there may have been more murders), and members of the community. Understandably, each of these people bears marks from the incident, though not always to the degree or in the way we’d expect. 

Some of the people in the film are fascinating. One woman, the founder of a group called “Friends of Jennifer,” still, two decades later, spends her spare time searching the several hundred acres of woods around Willowbrook for the bodies of other missing children that she believes Rand murdered. Another man, an old acquaintance of Randwho apparently believes he was framed, looks like a bit of a drifter, but speaks intelligently and soberly about how stories and images can be framed to cast suspicion of guilt.

Rand himself is a cipher. He never agreed to be interviewed on camera, though he did send carefully worded correspondence to the filmmakers that laid out the case for his innocence. The old video footage and testimony of the police in the case make him seem alternately deranged, evil, or pitiful. The letters he writes seem to come from a bright and focused mind. 

The most affecting moments in the film are actually excerpts from another documentary, and exposé of Willowbrook Mental Institution by none other than a young Geraldo Rivera. In grainy video footage we see patients, naked and neglected, lying on the floor in filth. Given Rivera’s career, I’m sure these moments were calculated for peak sensationalism, but the fact remains that they did happen, and I found the footage nearly too disturbing to watch.

The film’s biggest weakness is the filmmakers themselves. Perhaps inevitably with this sort of story, the filmmakers have chosen to narrate and appear in the film as they track down the story of Andre Rand. I found them distracting, and their personal reflections didn’t add anything more to the story, but this is a small flaw in a film that hits nearly many of my personal obsessions: urban legends, the reliability of memory, rumors of satanic cults, and abandoned mental institutions. 

“Cropsey” is on Netflix streaming. Check it out, preferably during the daylight hours.

About Brandon

Today is my friend Brandon’s birthday. Let me tell you about the time he saved my life.

I’ve known Brandon for an astonishing 27 years. We met on a Sunday night in church when were both seven years old, and we’ve been friends ever since. Our lives have diverged at times, and other times they’ve seemed almost identical. Through it all, he’s been the single constant in my life.

—-

I made some mistakes in my twenties. Financially, I got myself into just enough trouble to get stuck, but not enough that I ever hit bottom and had to make a real change in my life. I kicked around south Alabama for a few years, waiting tables and ducking real life, and every single night I’d lay awake and think of all the ways I’d ruined my life. 

Brandon had moved to California during the first dot-com boom, but he called me every week without fail. If he hadn’t, I doubt I would have made much effort to keep in touch. In those days, my most basic life strategy was to avoid as many of my loved ones as possible. I just didn’t want to admit to anybody how much I was failing at life.

One day it all fell apart on me and I decided to get out of town. I called Brandon, and without hesitation he offered me a spot on his couch.

I slept there for a year. 

Everything good in my life; my wife, my children, my home came to me because of his act of generosity. I turned my life around in that year, and I started the process of really, truly growing up.

And that’s only the biggest thing he’s ever done for me. I could name a dozen more. He’s the most generous person I’ve ever known.

——

My favorite story about friendship is Sherlock Holmes. To me, the Sherlock Holmes stories aren’t about crime or mysteries. When I read them, they’re about friendship. Watson loves Holmes. Holmes loves Watson. Sometimes they’re close and sometimes they aren’t, but they are always friends and always ready for adventure.*

I read my first Sherlock Holmes story shortly after I met Brandon, and from the beginning their story has been my story about Brandon and me.

I’ve always been Watson to his Holmes. Brandon is the smart one. The one that people seek out for help. The one who’s always in search of the next adventure. Like Holmes, Brandon is singular.

I also sincerely believe that someday he’ll fall over a waterfall and miraculously survive.

—-

There’s so much more I could say, but I’ll leave it at this. I think he saved my life long before he let me crash on his couch. He made friends with me when I was a scared kid in a new town, and he taught me that the world is a place of wonder, and that has made all the difference in my life.

Happy Birthday, Brandon. Thanks for saving my life over and over.

Deficit? Solved!

Hey guys, thanks to the New York Times, I’ve totally solved the deficit! You’re welcome.

Seriously though, this tool isn’t perfect, but it’s a good exercise and makes clear some of the painful choices we may face in the future. If you follow the link above, you’ll find mine. I’m sure no one will be surprised that I opted to cut military spending while leaving most social services alone, or that I opted for some tax increases.  

The truth about me is that I’m a fiscal conservative in the sense that I do believe we should spend less when we can, and that taxes are necessary for a civilized society but shouldn’t be any higher than necessary. 

I also believe there are things that government can and should administer. Infrastructure, health care, and funding for education and scientific research are just a few things that I believe really do benefit everyone in the long run. Likewise, a national defense is a necessity, but we should be more sparing in its use. 

So there’s nothing really mind-blowing here, but the tool got me thinking about it, and I thought I’d share. That’s largely the point of it, I think.

Review: AMC’s The Walking Dead

There’s a term for the pacing of modern comic books: decompression. If you read a comic book any time before the mid-90s, you’ll find it’s paced at breakneck speed with page after page of small frames full of text and dialogue. Since the mid-90s, the trend has been toward slower pacing, less text, and more full page images.

All of this allows the writer/artist to develop mood and character in a more cinematic way. It also makes the story move glacially. A plot which might have taken a single issue in 1975 now stretches out for twelve. Sometimes this is good, other times it isn’t. In the best examples, it allows for a deeper, more realistic story.

The Walking Dead, adapted from a comic book series, is zombie film decompressed. The first episode covers ground familiar to any zombie fan: our hero slowly discovers the horror of his newly zombie infested world, but where most films take ten minutes or so to cover this ground (or skip it entierely), The Walking Dead gives it a full hour. 

Stretching ten minutes of story over an hour could be excruciating, but series creator Frank Darabont (writer/director of The Shawshank Redemption) fills the empty space with interesting details and some really nice, really human drama. 

And while The Walking Dead doesn’t hold back on the gruesome images that are required in a good zombie story, the first episode is relatively light on scares. It’s more about the hero coming to terms with the new world he’s in, and then making the decision to carry on in the role he’s always held: a sheriff’s deputy.

That said, when the scares came, they were good. If you’re on the fence about watching yet another zombie story (and there are too many), give The Walking Dead a try.